The film addresses the issue of representation of women’s bodies in modern and contemporary art history: gender as construction and not as destiny. It is structured on two axes: on the one hand, the body representations and the body of representation; on the other, writing in situation and not on situations. It is composed as a synchronic and diachronic synthesis and subversion of images and sounds. The inversion of codes, as well as their juxtaposition, constitute the film’s central creative strategies and, therefore, the key for its interpretation. The inversions of image and sound function narratively, reinscribing women’s bodies.