In search of traces and imprints of an absence, this film examines the coexistence between nature and man-made structures or artifacts, to deliver a formal object of commemoration. An obscure celebration of the surface of a fractured and exhausted world, what could have been a city symphony evokes instead the feeling of a mausoleum for our present existence. Pablo Marín’s latest film, premiered at International Film Festival Rotterdam and was selected for New York Film Festival's Currents strand and Viennale, among others.

Pablo Marín (1982, Argentina) is a film critic, filmmaker, translator, and teacher. He has curated programs on Argentinian cinema across the U.S., Canada, and Europe. Marín teaches at LAV Madrid and the Friedl Kubelka School for Independent Film, and tutors at Elias Querejeta Zine Eskola San Sebastián. His book, Una luz revelada. El cine experimental argentino, was published in 2022. His films have screened at international festivals, including the New York Film Festival and International Film Festival Rotterdam.