Κατάλογος Αφιερώματος
movie poster
  • Greek Title 8 ½, Οκτώμιση
  • English Title
  • Original Title Otto e mezzo
  • Year: 1963
  • Genre: Fiction
  • Country: Italy, France
  • Duration: 139'
  • Director: Federico Fellini
  • Scriptwriter: Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi
  • Cinematography: Gianni Di Venanzo
  • Editing: Leo Catozzo
  • Music / Score: Nino Rota
  • Sound: Alberto Bartolomei, Mario Faraoni
  • Cast: Marcello Mastroianni, Anouk Aimée, Sandra Milo, Claudia Cardinale, Rossella Falk, Barbara Steele, Annibale Ninchi, Guido Alberti, Giuditta Rissone, Edra Gale, Madeleine Lebeau, Mario Pisu, Rossella Como, Mario Tedeschi, Elisabetta Catalano, Polidor
  • Production: Federico Fellini, Angelo Rizzoli, Cineriz/Francinex
  • Color: Black & White
  • Audio: Sound
  • Language: Italian, French, English, German
  • Aspect Ratio: 1.72 : 1, 1.85 : 1
  • Format: DCP
  • Subtitles: Greek, English
  • Restoration: This new high-definition transfer was created on a Spirit Datacine from a restored 35mm fine-grain master positive made from the original negative. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTI's DRS system and Pixel Farm's PFClean system, while Digital Vision's DVNR system was used for small dirt, grain, and noise reduction
  • Print Source: Neo Films
From Monday, 11 Oct 2021 20:00 until Monday, 11 Oct 2021 23:00
At Iera odos Str. 48, Postal Code 104 35 Kerameikos, Athens Categories: Προβολές Ταινιοθήκης Tags: Εκδηλώσεις Ταινιοθήκης
Αφιέρωμα Φεντερίκο Φελίνι

Filming an autobiographical science fiction film, the director Guido Anselmi, runs dry on his creative juices. He is paralysed by an all-consuming, existential crisis, defining all of his relations—with his producer and collaborators, his mistress and his wife, the cardinal and the elegant clients of the spa in which he takes refuge. Memory and fantasy “set up” a wonderful carnival of oneiric forms of the unconscious, leading him to the dubious—to him—realisation, that the meaning of life is love… And the meaning of creation, simplicity and sociability. By incorporating a fluidity and virtuosity of narrative forms of the cinematic avant-garde and memories of the great novel—Musil, Joyce—Fellini, in his monumental self-referential masterpiece, achieves what his hero was unable to achieve: the most beautiful self-portrait, an artist could conceive on the nature of creative impasses’ and the “absolute” identification of the creator with his protagonist.


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