Program
ΤΑΙΝΙΟΘΗΚΗ ΤΗΣ ΕΛΛΑΔΟΣ, ΜΙΚΡΗ ΛΕΣΧΗ (ΚΑΝΑΡΗ 1) - TRIBUTE: SERGEI M. EISENSTEIN
On the cover f the tribute to Sergei M. Eisenstein there are photos, and in the introduction there is a statement by Pera Attasheva, Eisenstein’s widow, along with encomiums by Aglaia Mitropoulou.
The notes on the films, after details from the credits, mention:
"Strike": biographical elements, his acquaintance with Eduard Tisse, other important Russians, the cinematic eye – the cinematic fist, the Theatre of Proletarian Culture and the eccentrics.
"Battleship Potemkin": the Odessa uprising, images of emotion – images of ideas, montage attraction-intellect, rebel.
"October": the plot of the Revolution, the influence of Vertov, Lenin-Kerenski-Trotsky. "The General Line": rural life, the old and the new, Marxism-passion-the goal and the romance of progress.
"Que viva México!": a tale of adventure and betrayal in America, other directors who used Eisenstein’s material.
"Bezhin Meadow": adventures in the U.S.S.R. and information, public humiliation.
"Alexander Nevsky": emperor, epic, Tarkasov, speech and sound, the music of Prokofiev, Eisenstein’s neo-Byzantine style, masterpiece.
"Ivan the Terrible": theatre, artistic pretense, metaphysics, allegory, major teachers and Byzantine art, the censorship of the 2nd part, the restoration of the film and his death.
- Cinema ΤΑΙΝΙΟΘΗΚΗ ΤΗΣ ΕΛΛΑΔΟΣ, ΜΙΚΡΗ ΛΕΣΧΗ (ΚΑΝΑΡΗ 1)
- Tribute TRIBUTE: SERGEI M. EISENSTEIN
- Date 1988-00-00
- Pages 13, BOUND
- Τόπος Έκδοσης ATHENS
- Language GREEK, MODERN (1453 - )
- Height 29,5 CM
- Width 21 CM
- Paper Type ΒΙΟΜΗΧΑΝΙΚΟ
- Status ΑΡΙΣΤΗ
Has 13 pages of program
- ΑΛΕΞΑΝΔΡΟΣ ΝΕΦΣΚΙ, 1938, EISENSTEIN SERGEI M.
- ΑΠΕΡΓΙΑ, 1924, EISENSTEIN SERGEI M.
- ΓΕΝΙΚΗ ΓΡΑΜΜΗ, Η, 1928, ALEKSANDROV GRIGORI , EISENSTEIN SERGEI M.
- ΘΩΡΗΚΤΟ ΠΟΤΕΜΚΙΝ, 1925, EISENSTEIN SERGEI M.
- ΙΒΑΝ Ο ΤΡΟΜΕΡΟΣ, 1944, EISENSTEIN SERGEI M.
- ΛΙΒΑΔΙ ΤΟΥ ΜΠΕΖΙΝ, ΤΟ, 1935, EISENSTEIN SERGEI M.
- ΝΑ ΖΕΙ ΤΟ ΜΕΞΙΚΟ, 1930, EISENSTEIN SERGEI M.
- ΟΚΤΩΒΡΗΣ, 1927, ALEKSANDROV GRIGORI , EISENSTEIN SERGEI M.
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