Program
ΑΠΟΛΛΩΝ - SCREENINGS OF RESTORED CLASSICAL AMERICAN FILMS
The introduction of Theodoros Adamopoulos’ “The Conservation of Cinema Film” refers to: the wear and tear on films and their loss, the Greek situation, the transfer of films onto combs after admitting them into the Archives, checking the material by the admitters, taking advantage of silver and the consequent destruction of film, and, finally, the need for film conservation. Then there are notes from representatives of American institutions giving information and stressing the efforts to save and preserve film. Finally, it lists the films with photos, credits, plots and reviews.
- Cinema ΑΠΟΛΛΩΝ
- Tribute SCREENINGS OF RESTORED CLASSICAL AMERICAN FILMS
- Date 0200-04-20 - 2000-04-26
- Pages 20, BOUND
- Τόπος Έκδοσης ATHENS
- Language GREEK, MODERN (1453 - )
- Height 20,5 CM
- Width 14 CM
- Paper Type ΒΙΟΜΗΧΑΝΙΚΟ
- Status ΑΡΙΣΤΗ
- CARMEN JONES, 1954, PREMINGER OTTO
- CHINATOWN, 1974, POLANSKI ROMAN
- DAFNIS AND CHLOE, 1931, LASKOS ORESTIS
- THE PHILADELPHIA STORY, 1940, CUKOR GEORGE
- WHAT'S OPERA DOC, CHUCK JONES
- ΑΙΧΜΑΛΩΤΟΣ ΤΗΣ ΕΡΗΜΟΥ, Η, 1956, FORD JOHN
- ΑΡΠΑΓΕΣ ΤΗΣ ΓΗΣ, 1953, STEVENS GEORGE
- ΑΤΜΟΠΛΟΙΟ ΓΟΥΪΛΛΥ, ΤΟ, 1928, DISNEY WALT
- ΑΥΓΗ, Η, 1927, MURNAU FRIEDRICH-WILHELM
- ΕΝΑ ΧΟΡΟ ΓΙΑ ΣΕΝΑ, 1953, MINNELLI VINCENTE
- ΚΑΖΑΜΠΛΑΝΚΑ, 1942, CURTIZ MICHAEL
- ΛΙΜΑΝΙ ΤΗΣ ΑΓΩΝΙΑΣ, ΤΟ, 1954, KAZAN ELIA
- ΜΕΡΙΚΟΙ ΤΟ ΠΡΟΤΙΜΟΥΝ ΚΑΥΤΟ, 1959, WILDER BILLY
- ΟΡΓΙΣΜΕΝΟ ΕΙΔΩΛΟ, 1980, SCORSESE MARTIN
- ΣΟΣ ΠΕΝΤΑΓΩΝΟ ΚΑΛΕΙ ΜΟΣΧΑ, 1964, KUBRICK STANLEY
- ΧΙΟΝΑΤΗ ΚΑΙ ΟΙ ΕΠΤΑ ΝΑΝΟΙ, Η, 1934, DISNEY WALT