Juliet of the Spirits

Κατάλογος Αφιερώματος
movie poster
  • Greek Title Η Ιουλιέτα των πνευμάτων
  • English Title Juliet of the Spirits
  • Original Title Giulietta degli spiriti
  • Year: 1965
  • Genre: Fiction
  • Country: Italy, France
  • Duration: 140'
  • Director: Federico Fellini
  • Scriptwriter: Federico Fellini, Tullio Pinelli
  • Cinematography: Gianni Di Venanzo
  • Editing: Ruggero Mastroianni
  • Music / Score: Nino Rota
  • Sound: Mario Faraoni, Mario Morigi, Primiano Muratori
  • Cast: Giulietta Masina, Sandra Milo, Mario Pisu, Valentina Cortese, Valeska Gert, Jose Luis de Vilallonga, Friedrich von Ledebur, Caterina Boratto, Lou Gilbert, Luisa Della Noce, Silvana Jachino, Milena Vukotic, Fred Williams, Dany Paris, Anne Francine, Sylva Koscina, Elena Fondra, George Ardisson, Eugenio Mastropietro, Elisabetta Gray, Alberto Plebani, Yvonne Casadei, Mario Conocchia, Federico Valli, Asoka Rubener, Alba Cancellieri, Sujata Rubener, Alberto Cevenini, Cesarino Miceli Picardi
  • Production: Rizzoli Film, Francoriz Production
  • Color: Color
  • Audio: Sound
  • Language: Italian, French, Spanish, English
  • Aspect Ratio: 1.85 : 1
  • Format: DCP
  • Subtitles: Greek, English
  • Print Source: Neo Films
From Thursday, 14 Oct 2021 19:45 until Thursday, 14 Oct 2021 21:55
At Iera odos Str. 48, Postal Code 104 35 Kerameikos, Athens Categories: Προβολές Ταινιοθήκης Tags: Εκδηλώσεις Ταινιοθήκης
Αφιέρωμα Φεντερίκο Φελίνι

Witness to her marriage falling apart due to her husband’s infidelities, the timid, bourgeois Giulietta Boldrini (Masina), withdraws to the world of dreams. With spiritistic and psychoanalytical consultations, she commences in an existential search, of her self and meaning of her life—avoiding her exuberant and voluptuous neighbour Suzy, who is willing to introduce her to the orgiastic theatre of pleasures. Fellini’s wish, was to give Giulietta Masina, a female version of 8½: a monumental assortment of cinema and Jungian psychoanalysis. But as Freud left unanswered, the question “What does a woman desire?”… So Fellini leaves his heroine in suspension between (male) fantasies on love, sexuality and repulsion. Where does the iconographic and colourful, directorial delirium leave Giulietta? Emancipated or alone?


Offices

Cinema

Member of

europa-cinemas-creative-europe