Three movies inside a fake TV new report. Or rather four different layers of consciousness—that the cinema of the great master, was a magical mirror game, between the reality of filming and the chimera of self-fiction. A Japanese TV crew, attempts to film Fellini at work but their interview is playfully diverted into a recollection of his first visit at the Cinecittà studios—a satirical return of Mastroianni and Ekberg in their “La Dolce Vita” roles and a stressful “tour” amidst the chaos of the maestro’s cinematic adaption of Kafka’s “Amerika”—which abruptly reached a dead end. The sole ray of light in the darkness—with which the creator enwraps the situation and future of cinema itself, is a floodlight that lights the deserted studio like a much needed ray of the sun!