Artist and film-maker Andrew Kötting revisits his graduation film “Klipperty Klöpp”. A post punk piece of pagan sensibility in which a man repeatedly and energetically runs round and round in circles on common ground in Gloucestershire, carrying palaeolithic paintings of horses. Part Benny Hill part Joseph Beuys, the work is as much a performance piece as it is a exercise in Samuel Beckett parody. In the re-make Kötting's protagonist is a woman moving very slowly within the almost identical landscape to exactly the same soundtrack. Married up edit for edit with the original super 8 footage, Kötting sees the work as a digital artefact dug up and re-presented as a split screen 33 years after the event.
Andrew Kötting
Andrew Kötting, born in Elmstead Woods in 1959, is a British award-winning artist, filmmaker and Professor of Time-Based Media at the University for the Creative Arts in Canterbury. After leaving school he worked as a scrap metal dealer and then as a failed lumberjack in Scandinavia before returning to study for a BA in Fine Art at Ravensbourne College of Art & Design and thereafter graduating with an MA from The Slade in London. He has made over a hundred short films, often in collaboration with artists, writers, dancers and performers, which have been awarded prizes at international film festivals. He currently tries to live and work between Hastings on the south coast of England and Fougax-et-Barrineuf in the forests of the French Pyrenees, producing performances, installations, bookworks, Cds and vinyls, often in collaboration with his daughter Eden.
